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Or work on a complex composition in After Effects, then import just this composition into Premiere for timeline cut-up. It allows precision editing a clip within Premiere, easy offloading into After Effects for parameter adjustments, then re-importing the newly adjusted clip back into Premiere – all without needing to render. Using what they call ‘ dynamic linking‘ many rendering steps can be cut out and this can make a great difference for putting together a video. The current Adobe Premiere + After Effects integration is another great contributor to an improved video workflow. – Throw these recorded clips into After Effects for some ‘mastering’ / fine-tuning / colour grading etc – Playback instantly, see what worked, then rinse, repeat and refine. Or remix that video for a more layered effect. Adjust visual parameters with the knobs and sliders of a midi controller and record as you go.
#Vdmx5 add step sequencer software#
Typically that’d involve playing with images and video files in Photoshop and After Effects, but being easily able to record HD video with Syphon suddenly makes software like VDMX all the more useful for generating customised textures / timings / visual effects.
#Vdmx5 add step sequencer series#
Integrating VJ Software Into Post-ProductionĬongo just wanted a series of composited scenes cut to music, rather than any narrative, so given their tropical flavour I set about designing some lo-fi cosmic jungle compositions. There was enough gold slithers to make it work though, and making it reminded me how useful VJ tools can be for video production today. And yeah – it featured juggling of *green* limes.
The green screen footage, of course, turned out to be a drunken ninja fest: most shots cut off part of Marawas’ head, or featured the camera wobbling on the tripod (when the cameraman wasn’t busy zooming in and out). Part of their pitch was that they already had some green screen footage of the guest vocalist (hula-hooping extraordinaire: Marawa the Amazing), so ‘hopefully a quickly composited clip wouldn’t take too long’. Congo Tardis #1 are an absurdly talented trio of Melbourne turntablists, who recently asked me to put together a micro-budget music video for their new EP.